A D E L I N A I V A N
 
n e w s
b i o g r a p h y
c o n t a c t
  
w o r k s
left square right square
alter body
circling
self portrait
hello vera
black squares
cuts
white fold
journal of grids and signs
to restore
frugalitas, severitas, fidelis
atena adjusting her sandal
the color of geometry
black on white
deconstructed squares
objects of cohesion
time delusion
structures
rebar
albedo
I love to protect myself
textile works
window installation
separated objects
 
l i n k s
p u b l i c a t i o n s

 

 

Albedo - Video 3' (2015) 

Curated by Adriana Tranca

The evolution of every individual and every community, by extension, entails the rupture of one’s past and the designing of seemly circumstances for a new beginning, a rebirth.

Ceausescu’s Palace/The People’s House/Palace of the Parliament is the symbol of Romanian communism. That is a commonplace. The artistic expressions haven’t bypassed it in the post-communist era.

The concept takes as a central point this iconic building as the subject of a possible alchemic process. It is to some extent the nigredo phase, a metaphor in analytical psychology, as Roberte H. Hopeke calls it, for the dark night of the soul, when an individual confronts the shadow within. Then comes the redemptive albedo, a state of purification, of washing away of impurities, the ablutio. The melting of the People’s House implies the framing of this cleansing process. The next alchemic state is the ideal, the ever sought for, the rubedo.